VRT muzikal ↝ premiere predstav v Cirkulaciji² v Ljubljani: 11., 13., 16., 26. in 27. junija 2025 ob 20h obdobje: zero/0 tolerance, trajanje: 57 minut English below "Nikoli ne morem dojeti, kako lepo je, ko si na plaži, kako je videti pesek in voda ga spere in poravnava in drevesa in trava so videti čudovito. Mislim, da je imeti zemljo in je ne uničevati najlepša umetnost, ki bi si jo lahko kdorkoli želel imeti." — Andy Warhol foto | photo: Sunčan Stone Kljub temu, da Vrt ni prav posebej obseden ali vnet, se vedno znova vrača na eno in isto. Medtem ko so suvereni mediji večno na raziskovalni odpravi, se nejasni kanali za nedoločen čas utaborijo ali pa do neskončnosti tavajo naokrog. Na vesolje tako ali tako lahko naletijo povsod, zakaj bi se torej morali mobilizirati? Za Vrt je njegovo lastno delovanje največja skrivnost. Ta eksistencialni trenutek poskrbi za to, da noben izraz ne zadobi končne in nespremenljive oblike, a kljub temu nekaj pove. Popotniki po terrain vague najdejo pot v wasteland, kjer se izgubijo celo hot-spot turisti. Vrt se ne briga za obliko, temveč za praznino med oblikami, ta pa je brezčasna. foto | photo: Sunčan Stone Ne zanima ga uspeh. Nima ciljev. Njegovi moduli ne temeljijo na argumentiranju, ampak na okuženju. Vendar to ni njegov namen: nejasnost ni ideal, temveč skrajna stopnja abstrakcije. foto | photo: Sunčan Stone Tukaj se ne dela, raje se posvečamo temu, da razstavljamo in sestavljamo nedoločne objekte in projekte. Ko izgubimo iz vida izhodišče in konec, lahko v miru izkusimo obstoj. V postatomski umetnosti je negotovost temelj učinkovitosti in nezanesljivost znak dobre volje. Nelinearnost se norčuje iz rizomatične dogme, ki predpisuje neskončno preklapljanje kanalov, kablov, debel in korenin.Vrtu ni mogoče slediti. Njegova fuzzy logic frustrira iskalce pomena. Rezultat je megleni znak z informacijsko vrednostjo 0,34 ali pa 2,74. Nič ne zamolči ali zavestno izkrivi. Enostavno nihče ničesar natanko ne ve in to je tudi opaziti. Ni strahu pred podatki. Zgodovine nejasnosti bo potrebno še napisati. foto | photo: Sunčan Stone Nejasen Vrt kot objekt in nejasen kot subjekt, ki ga usmerja, sta neločljiva. Skupno jima je zamegljeno pojmovanje meja, ki preprečuje, da bi se človek ločil od Vrta. Jasnost nastopi šele, ko se subjektu posreči izločiti objekt in tako sam postane odvečen. foto | photo: Sunčan Stone Dezerterstvo je pogoj svobode. In zmaga, kot vedno, pripada poraženemu. foto | photo: Sunčan Stone · scenarij in režija: Gotvan Vlado Repnik · a=tF²: !gor #352; · dramaturgija: Nina Meško · performans: Loup Abramovici, Jana Jevtović, Bass Jansson, Jurij Podgoršek · v filmu: Marieke Werner, Meg Stuart · montaža: GVRbabaLAN · proculvizija: Simon Svetlik · supervizija: Simon Kardum · hvala Jožici Avbelj, Stefanu Doepnerju, Urški Savić, Blixu Bargeldu, Marjani Harcet, Marku Batisti, Wilhelmu Groenerju, Borutu Savskemu, Sanji Simić, Tatiani Kocmur, Nathanu Coleyu in skupini Bilwelt · fotografija: Sunčan Patric Stone · produkcija: GVR Zavod za umetniško produkcijo · soprodukcija: Cirkulacija², Kino Šiška, KIBLA Maribor · predstava je sofinancirana s sredstvi Ministrstva za kulturo Republike Slovenije in Mestne občine Ljubljana foto | photo: Sunčan Stone GARDEN musical period: zero/0 tolerance, duration: 57 minutes "I can never get over when you're on the beach how beautiful the sand looks and the water washes it away and straightens it up and the trees and the grass all look great. I think having land and not ruining it is the most beautiful art that anybody could ever want to own." — Andy Warhol foto | photo: Sunčan Stone Although the Garden is not particularly obsessed or passionate, it keeps coming back to the same thing. While the sovereign media are forever on an exploratory expedition, the vague channels camp out indefinitely or wander around endlessly. They can encounter the universe anywhere anyway, so why should they mobilize? For the Garden, its own operation is the greatest mystery. This existential moment ensures that no expression acquires a final and unchanging form, but nevertheless says something. Travelers through the terrain vague find their way into the wasteland, where even hot-spot tourists get lost. The Garden is not concerned with form, but with the emptiness between forms, and this is timeless. foto | photo: Sunčan Stone It is not interested in success. It has no goals. Its modules are not based on argumentation, but on infection. However, that is not its purpose: unclarity is not an ideal, but an extreme level of abstraction. foto | photo: Sunčan Stone There is no work here, we are more interested in disassembling and assembling indefinite objects and projects. When we lose sight of the starting point and the end, we can experience existence in peace. In post-atomic art, uncertainty is the foundation of efficiency and unreliability is a sign of goodwill. Nonlinearity mocks the rhizomatic dogma that prescribes an endless switching of channels, cables, trunks and roots. The garden cannot be followed. Its fuzzy logic frustrates seekers of meaning. The result is a hazy sign with an information value of 0.34 or 2.74. It does not conceal or consciously distort anything. Simply no one knows anything for sure, and that is noticeable. There is no fear of data. The history of unclarity will have to be written. foto | photo: Sunčan Stone The vague Garden as an object, and the vague, as the subject who directs it are, inseparable. They share a blurred concept of boundaries that prevents the one from separating from the Garden. Clarity only comes when the subject succeeds in eliminating the object and thus becomes unnecessary. foto | photo: Sunčan Stone Desertion is a condition of freedom. And victory, as always, belongs to the defeated. foto | photo: Sunčan Stone · script and direction: Gotvan Vlado Repnik · a=tF²: !gor #352; · dramaturgy: Nina Meško · performers: Loup Abramovici, Jana Jevtović, Bass Jansson, Jurij Podgoršek · in film: Marieke Werner, Meg Stuart · editing: GVRbabaLAN · proculvision: Simon Svetlik · supervision: Simon Kardum · special thanks to Jožica Avbelj, Stefan Doepner, Urška Savić, Blixa Bargeld, Marjana Harcet, Marko Batista, Wilhelm Groener, Borut Savski, Sanja Simić, Tatiana Kocmur, Nathan Coley and group Bilwelt · photographer: Sunčan Patric Stone · production: GVR Zavod za umetniško produkcijo · co-production: Cirkulacija², Kino Šiška, KIBLA Maribor · the performance is co-financed by the Ministry of Culture of the Republic of Slovenia and the Municipality of Ljubljana foto | photo: Sunčan Stone GVR babaLAN www.babalan.org gvr[at]babalan.org +386 31 589 877